The Hustler (1961)
Director - Robert Rossen
Starring - Paul Newman, Jackie Gleason, Piper Laurie, and George C. Scott
Heading into this movie, I realize now, I had a lot of pre-conceptions. Not so much about the quality of the film, whether it would be good or bad, but more about the content of the film. Thanks to countless posters in the various seedy billiards rooms that I frequent, I just assumed that there would be more pool than there was. Also, I apparently wrongly assumed just who the hustler mentioned in the title of the film was.
For those, like me apparently, who aren't too familiar with the story, The Hustler follows the driven ambition of "Fast" Eddie Felson. Felson, played famously by Paul Newman is a small time hustler looking to beat the best in the billiards game, Minnesota Fats (Jackie Gleason), and claim the crown of the best pool player around. Fats along with his shifty gambling buddy played by George C. Scott, seeing Felson's reckless ambition for what it is, work to exploit, and take advantage of him.
Along the way, Fast Eddie meets Sarah Packard (Piper Laurie), a woman so defeated by life, that she takes his interest as a sort of cruel taunt. In reality, he feels as though he can fully be himself around her, without apology for his shortcomings. The attention re-awakens her hope for a normal life. Life for the couple starts to feel more and more normal, until that is, the real hustler, George C. Scott's Bert, convinces Fast Eddie to go out on the road, running hustles and making money for him. This drives a wedge in their relationship and threatens to ruin everything they've built.
As far as the movies that feature the character Fast Eddie Felson, I prefer Martin Scorsese's take with The Color of Money, although the Hustler is certainly a good, if not great movie. It may be due to my mood going into watching it, but I was really hoping for more action than drama, more suspense than revelation.
I wanted the cocky Felson to be a bit tougher, a little less pathetic throughout the film. He is far more of a victim than he is a hustler. It is certainly viable to create a story that ends unhappily, this film just made me sad. For a guy who is clearly looking for acceptance, he sure gives away the acceptance he gets from Sarah without a thought about her or even himself. The only thing that seems to matter to him is being the best in the eyes of those who are laughing at him and using him for their own gain. As a result I was left more than a little wanting, and felt rather downcast after finishing it. Despite their best efforts to craft a noir-ish character and setting, the movie seemed to be missing something. Even the cinematography and music seemed somewhat forgettable to me.
I don't mean to treat this movie harshly, clearly it had an impact on me, just not the one I was looking for going into it. The image I have of the character is what I was left with from The Color of Money, a man who despite defeat, doesn't give up. Despite, humiliation, has a certain self-awareness, and despite conventional relationships, has carved out a little place for himself in the world.
Truth be told, I've had a certain blossoming of respect for this film just in writing down my feelings about it, although I think it says more for Martin Scorsese re-visit of the characters than it does for anything else.
I would say that despite the fact that I liked it, I definitely didn't like it enough to include it on the list of 1001 movies. There was an element missing either in the movie or what I wanted from it i'm not sure, but it's missing just the same. Either way, it doesn't matter, it didn't quite work for me.
"They play pool and stuff" - Ashley